Since the release of the Canon EOS 1D MKII – which is an incredible camera…people have been waiting with baited breath for the announcement of the 1Ds MKIII full frame beast.

And here it it! What a camera, getting into MF (Medium Format) territory with 21 megapixels, Imagine the detail you can get from this beast.

Pictured with the excellent 50mm f/1.2 L lens.

Canon raises the stakes in the professional photography market with the launch of the 21 Megapixel, 5 frame per second EOS-1Ds Mark III. Delivering 14-bit depth resolution from a newly developed 35mm full frame CMOS sensor, Canon’s new flagship digital SLR produces files that convert to over 100MB uncompressed 16-bit TIFF, setting a new benchmark in image resolution and sharpness for 35mm-format digital photography.

As well as producing outstanding colour rendition, Dual DIGIC III processors drive 5 fps continuous shooting for up to 56 Large JPEGs (12 RAW) – unrivalled by any other camera at this resolution. This capacity to shoot such large images uninterrupted is regarded as a big driver in switching studio photographers to the EOS platform.

The EOS-1Ds Mark III inherits the new technology platform introduced earlier this year in the EOS-1D Mark III, including 63-zone exposure metering, 19 cross-type auto focus system, a 3.0” LCD with Live View mode and EOS Integrated Cleaning System. The Highlight Tone Priority function expands dynamic range for more depth and detail in bright areas. The launch is supported with the announcement of Canon’s new ultra wide-angle lens, the Lens 2.

“Taking image quality and versatility to unprecedented levels, the EOS-1Ds Mark III redefines commercial photography conventions”, said Karz Suzuki, Head of Canon Professional Services. “The camera will strengthen Canon’s popularity amongst professional studio photographers. Culminating 20 years of EOS development, the EOS-1Ds Mark III represents a definitive moment in our company’s photographic history.”

Key features

• 21 Megapixel full frame (35mm) CMOS sensor
• 5 fps continuous shooting for up to 56 frames
• Dual “DIGIC III” processors
• Highlight Tone Priority
• Auto focus system with 19 cross type sensors and 26 focus assist points
• EOS Integrated Cleaning System
• ISO 100-1600 (expandable to L:50 H:3200)
• 3.0” 230K pixel LCD with Live View mode
• Redesigned viewfinder now wider and brighter

Now we just need to see what Nikon comes out with, with the new D3x or D3h, or perhaps both! Apparently some big news is going to be released this week – perhaps in 3 days.

So let’s wait and see.

After being ‘accidentally’ leaked last night on Amazon.com, the Canon 40D has now been officially released. If this was the proper date, or if they pushed it forwards due to the leak no one knows.

But here it is, the successor to the popular Canon 30D.

Canon today introduces its latest digital SLR for advanced amateurs and semi-professionals: the EOS 40D. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.

The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS?1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.

“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”

Key features

• 10.1 Megapixel APS-C CMOS sensor
• 6.5 fps continuous shooting, max. burst 75 JPEGs
• New AF system with 9 cross-type sensors
• DIGIC III processor
• 3.0” LCD with Live View mode
• EOS Integrated Cleaning System
• Clear and bright viewfinder
• Customisable Picture Style processing parameters

It looks like it can compete a bit better with the legendary D200 now, but still the D200s or D300 should be coming out shortly.

They also announced the 1Ds MKIII and some news lenses (18-55mm IS and 55-250mm IS).

Amazing new news, a replacement for D80 has leaked from Nikon.

Universal Vibration Reduction (uVR)

The new D90 incorporates an optional feature called Universal Vibration Reduction (uVR). This turns all lenses into uVR lenses, and offers a 10-stop advantage.

This means a person using a 500mm lens, who would normally have to shoot at 1/500th of a second, can shoot at 2 seconds when uVR is enabled.

The new uVR system isn’t sensor based, and instead requires one of the three optional vertical battery grips (see below). In this case, the MB-D90a is required. This grip provides all the normal controls and extended battery life of a regular grip. It also holds 8 EN-EL4a batteries, along with a step-up transformer.

Memory card incompatibility solved

The D50 and D80 caused some controversy by moving Nikon’s consumer-orientated DSLR models away from CF cards. This lead many Nikon users to resort to unseemly and ungentlemanly language in the forums (expressly forbidden under the terms and conditions of the standard Nikon warranty).

In an effort to avoid such distasteful events this time around, and ensure everybody can enjoy a D90, Nikon now supports the following storage formats…

• SD
• CF
• XD
• Memory Stick
• 3.5 inch floppy
• 5.25 inch floppy
• 8 inch floppy (in MB-D90b only)
• CD/DVD (in MB-D90b only)
• High-speed paper tape to maintain compatibility with Colossus
• Punch cards

New built-in artistic-effect modes

In addition to the regular scene modes, Nikon have included several artistic-effect modes. You can apply these to your image in-camera. Modes include…

• Black and white mode
• 1960s-style fast-film grain mode
• Nikon long-banding effect mode
• Canon plastic skin mode
• KM7D high ISO smearing mode
• Sony Alpha 1.3-stop underexposure mode
• Point and shoot artefact mode

A picture of the Nikon D90

You can read the full article here:

Nikon D90 Specifications Revealed

*Disclaimer – Only camera geeks will really understand this*

Buy the Nikon D90:

Or the new replacement, the Nikon D7000:

Ah finally some Reviews of the Fujifilm S5 Pro!

It seems it’s much as expected, fantastic Dynamic Range, but slow, slow AF and slow shooting speed. Definitely not for sports or wildlife shooters.

A good camera for skin tones though, excellent white balance (with the new firmware) and very good rendition of highlight details.

No bunching up on the histogram like normal digital camera, apparently it has wide ‘shoulders’ and gives more leeway like film.

It also has pretty interesting film simulation modes.

If you shoot in the studio, or you do a lot of portraits and wedding, and don’t like post-processing much, this could be the camera for you.

Although many might say the Canon 5D might be a better choice.

You can find some sample pictures here and here.

Fuji S5 Pro vs D200 Dynamic Range Test.

Fuji Finepix S5 Pro Experience Report

Overall we find the Fuji S5 a very exciting camera. The highlight extension paired with excellent noise characteristics raise the bar for image quality and shows that not only Megapixels matter.

Fujifilm FinePix S5 Pro CNET Editor’s Review

The bottom line: While a wide dynamic range lets it serve up tons of highlight detail and impressive overall image quality, the S5 Pro isn’t for high-speed sports photography, and it could use more resolution.

Popular Photography – Fujifilm FinePix S5 Pro

But this is not really a sports shooter’s camera. The S5 will no doubt please its intended audience — wedding and portrait shooters. The bigger question is whether it will appeal to the broader market of serious amateur photographers. Actually, we think it will. A lot.

Fuji FinePix S5 Pro Digital Camera Body Only

The Fujifilm FinePix S5 Pro’s image quality makes it a viable choice for pros and other quality-conscious photographers. Dynamic range, noise and color are all excellent. The S5′s mechanicals – a Nikon D200 body, with Nikon autofocus, metering and flash – are also big assets. The drawbacks of the S2 and S3 bodies are gone.

Some guy recently tested the current crop of SLR cameras with ‘dust removal’ systems to see how effective they actually are.

Sensor cleaning is becoming a standard feature on modern digital SLR cameras. While the manufacturers may use different techniques to get rid of the dust from the image sensor, they all promise clean, dust free images. Do they all work equally well? Can we throw our air blower away? We have tested the four different types of sensor cleaning technologies to see which one will most likely to fulfill the expectations.

I was quite surprised with the results, and how badly they all performed. It turns out they are all pretty much useless when it comes to cleaning/dust removal. Only the Olympus fared reasonably.

Here is our ranking according to effectiveness:

1. Olympus: good
2. Canon: poor (we are disappointed)
3. Pentax and Sony: useless (we are very disappointed)

If you are looking for a camera, have the dust removal as an expectation only at the end of your list. If sensor cleaning / dust removal is a must, the choices are limited to Olympus and Panasonic cameras.

Read the full test here:

Review: Dust removal systems / sensor cleaning